Title: The Riders of Oominor Medium: Digital Illustration, Photoshop This poster-style illustration was created for the preproduction of The Tales of Oominor, a developing animated show pitch and screenplay of a personal work. Depicting an exhilarating scene from the first season, the artwork captures the characters speeding through a canyon, pursued by monstrous creatures they accidentally awoke during their drive. With dynamic composition and dramatic lighting, this piece sets the tone for the action-packed and fantastical world of Oominor. This artwork was crafted in Photoshop with meticulous attention to detail, ensuring it embodies the adventurous spirit of the show. No AI tools were used in its creation.
Title: The Ghost Medium: Digital Illustration, Photoshop The illustration showcases a vibrant, emotionally charged scene with a red-haired character, wide-eyed and visibly anxious, is encircled by eerie, green hands that reach toward them. The centerpiece is a glowing orb held by the character, depicting a ghost trapped inside. No AI tools were used in its creation.
Title: The Time Machine Medium: Digital Illustration, Photoshop This piece was designed as a striking cover or poster inspired by H. G. Wells’ The Time Machine. While rooted in the classic tale, it reimagines the story, transporting viewers to a future 10 million years ahead, set in the ruins of New York City. The Time Traveller - Richard confronts a futuristic, alien-like being amid a lush, overgrown urban jungle teeming with strange creatures, where two human species, Eloi and Morlocks, fight for dominance to control future New York. This illustration was hand-drawn digitally using Photoshop, focusing on creating a classic storybook aesthetic. No AI tools were used in its creation.
Title: Australopithecus Character Art, Comic concept, Cover Medium: Traditional Pencil and Digital Illustration, Photoshop This cover illustration for the Australopithecus comic concept features Lucy and her brothers amidst a variety of prehistoric animals that coexisted with them. The design highlights the rich diversity of wildlife from the era, showcasing creatures like deinotherium, sabretooths, and early fauna in a dynamic, action-filled scene. The traditional pencil sketches provide the foundation for the detailed digital refinement in Photoshop, resulting in a visually compelling and immersive cover. The piece combines historical accuracy with a sense of adventure and danger, setting the tone for the comic's exploration of survival, family, and prehistoric life. No AI tools were used in its creation.
Title: Roach Book Cover Medium: Digital Illustration, Photoshop This book cover was created for Roach, a short children's tale about a cockroach who finds himself lost in a garden. The illustration captures the adventurous spirit of the story, showcasing the protagonist navigating through a vibrant garden setting. Crafted in Photoshop, the cover features bold, playful colors and soft details to appeal to a younger audience. No AI tools were used in its creation.
Title: Stop War Medium: Digital Illustration, Photoshop This anti-war poster was created as a powerful criticism of the Russian army’s invasion of Ukraine. The illustration blends symbolic imagery to convey a message of peace and resistance. The bees and sunflowers, symbols of Ukrainian resilience and strength, are juxtaposed with a Spartan helmet, representing both the imperialism and the tragic cost of war. Doodles of peace symbols echo the markings American soldiers once drew on their helmets during the Vietnam War. Designed in Photoshop, the piece uses stark contrast and symbolic imagery to evoke reflection on the futility of war. No AI tools were used in its creation.
Title: The Ant and the Grasshopper Medium: Digital Ink Illustration, Photoshop This digital ink illustration was created to reimagine The Ant and the Grasshopper with a fresh twist—here, the ant and the grasshopper are best friends, set against a lush, storybook-inspired backdrop. This illustration was hand-drawn digitally using Photoshop, focusing on creating a classic storybook aesthetic. No AI tools were used in its creation.
Title: The New Yorker Easter Medium: Digital Illustration, Photoshop This mock New Yorker cover is part of a holiday special series, combining two iconic American creatures in a whimsical mashup. For this Easter edition, the artwork merges the Easter Bunny with King Kong—New York's most legendary monster. The illustration depicts a colossal, bunny-like figure perched atop a skyscraper, clutching a giant pastel egg, blending humor urban identity. Crafted in Photoshop, the piece uses detailed linework and vibrant colors to evoke the classic style of The New Yorker covers while delivering a playful twist on tradition. No AI tools were used in its creation.